I recently ran across this article at Slate on the business process behind Garfield. In short, Jim Davis is a tool. It’s not news that his strips aren’t funny to anyone over eight — how many times can someone tell a lasagna joke? — but it also turns out that Davis is merely a man behind a curtain pulling levers and twisting knobs:
Garfield’s origins were so mercantile that it’s fair to say he never sold out—he never had any integrity to put on the auction block to begin with. But today Davis spends even less time on the strip than he used to—between three days and a week each month. During that time, he collaborates with another cartoonist to generate ideas and rough sketches, then hands them over to Paws employees to be illustrated. […]
So, it would seem that drawing the strip is merely a means to an end for Davis: he keeps the cogs in the machine turning just so that he can power his licensing efforts. To be sure, I have nothing against artists profiting off their work; still, I’m put off that a so-called artist would go through the motions, knowingly churning out drivel just for the check.